In the mid-19th century, a period marked by innovation and exploration, the year 1858 stands out as a particularly notable juncture in the advancement of society and technology.
Among the year's significant achievements was the establishment of Central Park in New York City, a landmark event that underscored the burgeoning appreciation for public spaces and natural beauty within rapidly industrializing urban environments. The selection of Frederick Law Olmsted and Calvert Vaux's design through a competition heralded the creation of what would become one of the most cherished and frequented urban parks globally. Central Park emerged as a vital green oasis amidst the concrete expanse, offering millions of New Yorkers and visitors alike a tranquil retreat and emphasizing the critical role of accessible natural spaces in city life.
Simultaneously, 1858 witnessed pivotal advancements in photography, revolutionizing the way people captured and shared images. Innovations in techniques and materials made photography more accessible, enabling a broader segment of the population to document their lives and the world around them. This democratization of photography marked the beginning of a new era in visual communication, allowing for the preservation of fleeting moments of joy and beauty and contributing to a shared human experience that transcended geographical and cultural boundaries.
Furthermore, the year saw the discovery of the Comstock Lode in Nevada, one of the most significant silver finds in history. This event triggered a mining boom that attracted thousands to the American West in search of fortune, significantly impacting the region's development and embodying the enduring spirit of adventure and opportunity that characterized the American frontier.
Additionally, the completion of the first successful transatlantic telegraph cable in August 1858 represented a monumental leap forward in global communication. For the first time, messages could be exchanged between North America and Europe in minutes rather than weeks, a development celebrated by exchanges between Queen Victoria and President James Buchanan. Although the initial cable functioned for only three weeks, it paved the way for future successes, eventually establishing a durable link that transformed international relations, commerce, and information exchange.
Together, these events from 1858—ranging from the creation of Central Park and breakthroughs in photography to the Comstock Lode discovery and the transatlantic telegraph—illustrate a remarkable period of human achievement and progress. They reflect an era of exploration, innovation, and a deepening appreciation for both the natural world and the potential of human ingenuity to overcome the challenges of distance and time, shaping the modern world in profound and lasting ways.
(1856-1858)
By the mid-1850s it was apparent to Mint officials that the large copper cents struck since 1793 were too cumbersome and unpopular, as well as increasingly uneconomical to make. The idea of fiduciary coinage, based on the trustworthiness of the issuing authority, not on the coin’s intrinsic value, was beginning to catch on as well. Sooner or later the “big coppers” would have gone the way of the dinosaur, but it was the large numbers of small Spanish colonial silver coins in use throughout the United States that finally made it imperative that smaller cents had to be struck, and not necessarily of pure copper.
It was Mint Director James R. Snowden’s desire to see all foreign coins driven out of the channels of commerce in the United States. The coinage law passed by Congress on February 21, 1857 gave him the means to do so. In addition to abolishing the half cent, the law also specified that the new cents would weigh 72 grains and be composed of 88% copper and 12% nickel. Furthermore, they were redeemable for the old copper cents and half cents. But the most important provision as far as Snowden was concerned was the one that permitted the Mint and the Treasury Department to redeem Spanish double-reales, reales and medios at the rate of 25, 12-1/2, and 6-1/4 cents, respectively, for the new cents. All other government offices would only convert these three denominations at the rate of 20, 10, and 5 cents. With such a powerful profit motive, banks were very desirous of exchanging as many of the foreign silver coins as possible for the new “nicks,” as the Flying Eagle cents were called.
When the Flying Eagle cents were first released on May 25, 1857, more than a thousand people wound around the mint building to convert their old Spanish coins and large coppers. Within the mint’s courtyard was erected a temporary, wooden structure with two teller windows. Above each window was a sign reading, respectively, “cents for cents” and “cents for silver.” The Philadelphia Bulletin described the scene: “Every man and boy in the crowd had his package of coin with him. Some had their rouleaux of Spanish coin done up in bits of newspaper or wrapped in handkerchiefs, while others had carpet bags, baskets and other carrying contrivances, filled with coppers—‘very cheap and filling,’ like boarding house fare.”
A secondary market for the small cents developed immediately, some people even paying a premium right on the grounds of the mint building itself. Soon enough, though, the “nicks” became commonplace and by 1859 when the Indian cent design was introduced, the Mint had struck a total of 42,050,000 cents with the Flying Eagle design, more than enough for anyone who wished to have multiple examples. Snowden was successful in driving out the now-demonetized Spanish coins, and by 1859 it was estimated that some $2 million worth of the foreign silver pieces had been recoined into U.S. subsidiary coinage.
Designed by James B. Longacre, the Flying Eagle motif was actually an adaptation of the design used on pattern silver dollars twenty years before. The eagle figure had originally been drawn by Titian Peale and sculpted by Christian Gobrecht. The reverse wreath was similarly adapted from the model Longacre had made for the 1854 one and three dollar gold pieces.
As with a number of other Longacre designs, the relief was too high. This caused problems on fully struck coins—they would not stack properly—and on less than perfectly produced pieces it created problems associated with die opposition, that is, either the eagle’s head and tail did not strike up fully on the obverse or the wreath was ill-defined on the reverse. On coins dated 1857, weak reverse definition is especially prevalent.
Flying Eagle cents have proved enormously popular over the decades, beginning with the pattern issue of 1856. It is unclear exactly how many 1856 cents were struck, but the best estimates fall in the range of 800 to as many as 1,500 pieces. Both proofs and business strikes were made, as well as originals and restrikes. All are valuable and have been extensively hoarded over the years, the most famous hoard of which came from the estate of Colonel John A. Beck, who at one time owned 531 pieces.
The 1856 Flying Eagle cent is one of the few American coins whose value is greater than its rarity. Worth more than $2,000 in Good condition, the 1856 cent has a value and interest to collectors of U.S. coinage that goes far beyond the more limited scope of “penny” collectors. Why? The only reasonable answer seems to be: because they always have been valuable. Even in the late 1850s, 1856 cents were worth a dollar or two depending on condition.
Collectors of Flying Eagle cents have several ways to collect these coins. A complete date and variety set is possible and consists of only five issues: 1856, 1857, 1858 Small Letters, 1858 Large Letters and 1858/7. These coins are often collected in conjunction with the Indian Head series. Type collectors generally stick to the 1857 or one of the two 1858 issues. More advanced numismatists often assemble sets of the pattern coinage of this design. Proofs are extremely rare, except in the case of the 1856, and probably less than a total of 100 proofs exist of the three issues from 1857 and 1858.
Grading Flying Eagles can be somewhat tricky due to the above-mentioned weakness of strike encountered on many examples. The points of the design to show wear first are the eagle’s breast and wingtips on the obverse and the bow on the reverse. With Mint State coins that are weakly struck on the head or tail of the eagle or on the reverse wreath, it is imperative that mint luster be present on all areas of the design.
Flying Eagle cents have been extensively counterfeited. Fakes have been made by altering digits in the date, false dies have been produced to strike phonies and spark erosion dies have been used. When in doubt or when purchasing a high priced Flying Eagle cent, it is always best to have the coin’s authenticity expertly verified.
It was Longacre’s inability to engrave dies properly that led to the early demise of the series. A new design was needed where die opposition would not be a problem as it had been between the eagle on the obverse and the wreath on the reverse. It was this need that led Longacre to redesign the small cent for 1859, replacing the flying eagle motif with an Indian head. The original small cent design, however, gave collectors of 19th century U.S. coins a short, yet challenging series that continues to intrigue numismatists more than a century later.
Coin Descriptions Provided by Numismatic Guaranty Corporation (NGC)
